• Reggae Festivals
  
• Island Recipe: Cornmeal Porridge
  
• News Flash: New Blazin Music from Belize & Dancehall's New Narrator
  
• Band Promotion: CD Mastering Facilities: An Overview
  
• In Jah's Name We Pray: Non-Violent Protest: In Memory of Rosa Parks
  
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Cooking time: 30 min / Serves: 6

Ingredients

• 4 cups water
• 1 cup cornmeal
• 1/2 tsp. salt
• 1/2 tsp. vanilla
• 1/4 tsp. nutmeg
• 1/4 tsp. cinnamon

Directions

1. Put two cups water in saucepan to boil with salt, vanilla, nutmeg and cinnamon.

2. Mix cornmeal with the other two cups of cold water and pour gradually into boiling water in saucepan and stir.

3. Keep stirring until mixture is smooth. Lower heat and allow porridge to simmer until cornmeal is cooked.

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Ras Indio is proud to announce his two new releases titled, "PUSH UP THE FIRE" and "STAY POSTIVE". This hot Belizean international reggae artist with his own style of music called "Driftin Muzik" plans a tour called PUSH UP THE FIRE TOUR 2006.

Ras Indio, a.k.a. David Obi was born in Los Angeles, CA on September 23, 1976 to Belizean parents: Ms. Beulah Heusner and Mr. David Obi - a famous Belizean revolutionary musical artist known as "Bredda David", creator of Belizean Kungo Music.

As a youth, Ras Indio relocated to Belize and taught himself the keyboards with guidance from his dad. He started performing at local events in Belmopan at age 12 as the keyboardist in his dad's band, TRIBAL VIBES. From ages 15-21 he toured nationally and internationally including Mexico, USA and Europe.

While living back in the United States again, Indio linked up with Cousin Quinn and Moses creating WOOD DWELLAS, a Belizean hip-hop/dancehall group. They produced two albums in the U.S. with annual trips to Belize. Performances included opening for Beanieman, Vegas, Berres Hammond and XStatic. They also had their television debut on MTV on "The Cut" with the late Lisa "Left Eye" Lopez of TLC.

Ras Indio moved back to Belize and developed Indigenous Productions studio and label embarking himself on his solo career. His first solo release is entitled ‘FREE UP MI NATION'. His skills and talents include singing, keyboards, songwriting and composing. He also operates a full-service recording studio, Indigenous Pro, for his own works as well as for other artists.

Popular in Belize, Ras Indio received the award in 2005 for "Best Belizean Reggae/Dancehall Artist" which was voted by the general public newspaper ballot. Belize uses his hit single "Wild Wild West" as an anti-violence anthem. Ras Indio promotes the music he loves in many ways. With a clear deliverance, he spreads universal messages of truth, love and righteousness.

For booking management information, contact Rochelle Barasch at 858-772-0697 or email her at rockyro2byahoo.com

For more information contact, David (Ras Indio) Obi, Smith for: Indigenous Productions, # 8 Caracol St., Belmopan, Belize, Central America, ph:( 011) 501- 602-5540 cell, driftinmuzikyahoo.com, No website as of yet.
 
 
KipRich: Dancehall's Newest Narrator

Life happens to everyone, so why not have fun with it? That's the attitude of the dancehall's newest narrator, KipRich. With a rich sense of humor and a storytelling style reminiscent of Slick Rick this deejay takes everyday happenings and retells them with hilarious detail. The release of his first album, Outta Road, will surely bring some amusement back to the dance.

Born Marlon Plunkett in Jamaica's St. Catherine parish, KipRich gained his command of verse early. In school, writing poems was one of his favorite things to do so songwriting came with ease. Early on he found his sound while working with names such as Jack Scorpio and Danny Browne. His first major hit came in 1999 with the chart topper "Leggo di Bwoy" and continued with songs like "Imagine This" and "Bad Man No Switch".

Since linking up with the Big Yard family, KipRich has come upon his greatest success with the release of his #1 single "Telephone Ting" which, with its heavy radio rotation, has brought new fans and even given birth to a follow-up song. "The Letter", the next tune running up the charts, follows the main character from "Telephone" as he is forced to write love letters to his mistress since his lady broke his phone. When asked if this was the best solution for a brother with a snoop at home he laughs, "Well, it's up to him not to leave no trace of the letter when he done write it, cause you can't tell the girl fi stop check she won't listen."

KipRich has worked with some of the industry's wickedest producers to create an album that you can play from start to finish. Christopher Birch, Robert Livingston, Steelie & Clevie, Michael Fletcher, Snow Cone, Sheldon "Calibud" Stewart, Alrick Anglin, Boyd James and Louie "Flabba" Malcolm are just a few of the heavyweights that have put their stamp on this project.

Outta Road is filled with comical tracks that make the listener smile and teaches an industry to laugh at itself a little. KipRich calls it, "reality in a different form mixed with fun." From the first track "Baby Song" which pokes fun at other members of the dancehall fraternity to songs like "Gimme Back" which features a brother demanding the return of all the gifts given in a relationship gone bad, this album stands apart from the rest of the dancehall scene. There is even one song, "Fake", which runs with a fast paced jungle rhythm that is certain to break the stamina of the fittest dancer. Then "Peace" takes it back to Reggae old school with a wailing cry for "peace inna de island".

Now KipRich, an artist that was briefly known as Crazy Kid, has both a name and an album that's not about hype, just respect. As he prepares for the excitement of his album's release he continues touring and sharing the mighty message: Bad man can smile too.

The facility used to master the CD is nearly as important as the engineer. CD mastering facilities are distinct from recording studios, and while a facility can include both recording and mastering equipment, most high-end CD mastering facilities are separate. The type of equipment used in different CD mastering facilities varies greatly. Some facilities use all analog equipment; others only use digital gear, while others have both kinds of devices. Many CD mastering engineers think it is a good idea to use a different facility for recording and mastering. Furthermore, many believe that it is advisable for completely different people to record the CD and to master it so that the artist has different people provide feedback. It is always smart to get some fresh ears to give input that the producer and mixer of the recording may not think of. Of course, the recording artist should have a hand in all aspects of the production, from recording through mastering.

CD mastering facilities differ from recording studios in some very important ways. Mastering facilities are not usually acoustically designed in the same ways that recording studios are. For instance, mastering studios usually have large consoles and monitoring devices that would impede recording. There is usually less variance in the gear found in mastering studios.

CD mastering facilities normally have either analog or digital gear. While both types have their advocates and detractors, either type can be used to create great sounding CDs. Analog equipment is more old-fashioned, but creates warm, organic sounds. On the other hand, digital technology has begun to replace analog in most areas of production, and many people believe that recording and mastering will be completely digital in the future. Part of the reason is that digital processors and monitors are useful for making very precise adjustments and for eliminating extraneous sounds from a recording.

CD mastering facilities are state-of-the-art rooms designed to provide the best environment for hearing every aspect of a recording. An adequate mastering facility used by a knowledgeable engineer can make a good mix into a phenomenal master.

CD Mastering Info provides detailed information on CD mastering engineers, facilities, and software, as well as online and free CD mastering.
 

Article Source: http://EzineArticles.com

It has been said that the best way to serve society is to rebel against it. In 1955, American laws supported race segregation. Two women ages 15 and 18 and a Sunday School teacher in Montgomery, Alabama were courageous enough to rock the boat. These young ladies chose to break the law in order to further the cause of equality, dignity, and freedom amongst people of color living in the southern United States. They refused to give up their seats to white men on a bus.

By their actions, these three African American women essentially pioneered the modern civil rights movement. Claudette Colvin, Mary Louis Smith and recently departed Rosa Parks changed the face of America forever.

Following their arrest for refusing to give up their seats to white men, Martin Luther King Jr. and the Dexter Avenue Baptist Church proceeded to boycott the bussing system of Alabama. Ninety percent of black people formerly using the buses walked or car-pooled to get to work and school. The boycott lasted 13 months. By 1957, the segregation laws were deemed unconstitutional.

With the passing of civil rights pioneer Rosa Parks last week, let's celebrate her courage. Her commitment to eliminate every visage of discrimination, was the basis of her stand. The non-violent protest to end the denial of basic human rights was an exemplary example for people everywhere. Rosa Parks rebelled with dignity and honor, thus possessing the necessary tenants of a righteous revolution! With dignity she stood against the status quo and provided a catalyst for those seeking self-determination and right of choice. Though she bore no children of her own, she was once quoted in saying, "I consider all children as mine." Truly she became the mother of the modern civil rights movement in America.

We are grateful for her steadfastness. Praise Jah for her as an example to us all. Thank you Mrs. Parks for your humble service to humanity. Consider where in your world you may find the courage to stand in service non-violently, against the enemies of freedom, dignity, and equality.

In Jah's Name I Pray,
James

Passionate for human rights and politics, bourgeoning writer James Curt Byrum keeps his readers abreast of current news events. In addition to being a writer, he is a Respiratory Therapist residing in California. James also has a passion for music of all genres, writes experimental music and is a poet/lyricist. Reach James at oroborussbcglobal.net. Website: www.jamescurtbyrum.com.

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Trivia is by Diane Issachar. Diane is a staff photographer for Rhythm Vibes for 10 years, shoots for 1xtra, Reggae Festival Guide, and has traveled as tour photographer for many artists. Contact Diane at Dianeissaaol.com, 954-438-3383.

For years, the Reggae Festival Guide magazine received numerous requests for updates on festivals via email, and on May 2, 2004, we published the first emailed issue of the Reggae E-Guide ezine. Within a few months, we had 2500 subscribers - a testament to huge family of reggae fans! A year later, we upgraded our ezine to display full color and images as you see in this issue. The E-Guide is a wonderful resource for promoters, reggae artists, small reggae business owners and of course reggae fans! You can expect to see the E-Guide in your inbox weekly through the summer months and monthly during winter. All issues are archived at www.reggaefestivaleguide.com/archives.html. The E-Guide is officially logged as a publication at the Library of Congress (ISSN # 1551-6121). Please email the publisher with any questions at festivalsreggaefestivalguide.com.

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